Artists

Pre-modern

A vanished Ceylon, and for three centuries the only one the world knew: the island as its foreign visitors drew it. They were soldiers, officials, travellers and professional painters, working under the Dutch and the British, from the Netherlands, Britain, Ireland and across Europe, with a few who drew it from afar without ever landing. Their work was printed and carried abroad.

The Dutch record

For nearly two centuries the world beyond the island saw it through Dutch eyes. From the first embassy to the court of Kandy in 1602 to the fall of the Dutch possessions in 1796, the record was made almost wholly by the servants of the Dutch East India Company and the travellers who sailed under it: soldiers, surgeons, chaplains, surveyors and the occasional trained painter, whose work was gathered at last into the great folios that carried Ceylon into every library in Europe. The Dutch entries here draw on the standard catalogue of that record, R. K. de Silva and W. G. M. Beumer's Illustrations and Views of Dutch Ceylon, 1602 to 1796.

The British record

The British record opens with Robert Knox, whose engravings of his long Kandyan captivity were the earliest British images of the island, made more than a century before a trained artist observed it at first hand. After Britain took the maritime provinces from the Dutch in 1796, and the Kandyan interior fell in 1815, an island long closed to Europeans opened to the professional painter. The record that followed, beginning with the drawings of Henry Salt in 1802 and Samuel Daniell in 1805, was the work of soldiers and civil servants, professional painters, and women who travelled and worked alone in the interior, on to its full flowering in the late Victorian age.

Other nationalities

The record left by artists who came to Ceylon outside the service of either colonial power: a German naturalist, an Armenian painter of its ancient murals, and others who drew or painted the island each on their own account.

All artists